Saturday, 31 January 2026

“I just Wanna Make Nice Things” - Curated Collective Designer Lisa Oxley


Mood & Theme

This page exudes strength, confidence, and creativity. The dominant figure—a silver-haired, stylized man—is set against a deeply layered background of blues and teals, making a powerful visual statement. The phrase “I just wanna make nice things” adds a sense of humility and artistic purpose, grounding the work in authentic creative drive.

Key Visual Elements

   •   Portrait Focus:

A monochrome, illustrated male figure dominates the foreground. His stylized facial shadows and confident posture give a graphic-novel or stencil-art feel, suggesting boldness and self-assurance.

   •   Background Layers:

The background is highly textured with a blend of:

      •   Acrylic or ink washes in rich turquoise, teal, and navy.

      •   Fleur-de-lis motifs in white, grey, and shadowed stenciling.

      •   Dot patterns and spray paint-like effects adding visual rhythm.

      •   Vintage book text collage partially peeking through beneath layers, suggesting history and depth.

   •   Mixed Typography:

The small typewritten phrase “i just wanna make nice things” is presented in a label-style format. It contrasts the powerful visual of the man, introducing vulnerability and simplicity in the artist’s intention.

Textures & Techniques

   •   Stenciling: Fleur-de-lis and dotted overlays provide texture and gothic structure.

   •   Collage/Text Elements: Torn book pages are used subtly to add aged, literary texture beneath the paint layers.

   •   High Contrast Portrait: Likely hand-painted or digitally integrated, the man’s face and hair are detailed with bold contrast, using black-and-white shading that pops against the rich blue background.

Symbolism & Interpretation

   •   Fleur-de-lis often symbolize nobility, purity, and strength—fitting given the poised figure.

   •   Vintage book pages hint at storytelling, knowledge, or personal narrative beneath the surface.

   •   The quote is a gentle reminder of artistic purpose—balancing the powerful imagery with sincerity and humility.

Thursday, 29 January 2026

Building the Book of Me 2026


Book of Me 2026: A Junk Journal Made from Envelopes

For my Book of Me 2026, I decided to do something a little different and create a junk journal using envelopes. I loved the idea of starting with something simple and slightly forgotten, then turning it into a place to hold memories, thoughts, and creative bits throughout the year.

I’ve included a video below showing how I put it together, because honestly, it’s one of those projects that’s easier to see than explain. It was such a fun, low-pressure make — no rules, no perfection, just creating.

My plan for the year is to use up all the little offcuts, scraps, and random “junk” hiding in my stash. You know the bits — too good to throw away, but never quite right for anything else. This journal feels like the perfect home for them.

If all goes to plan, 2026 will be the year I finally stash bust instead of stash hoard 😅

And at the end of it, I’ll have a journal that tells the story of the year in a very real, very messy, very me kind of way.






'Art's the soul's reflection' - by Curated Collective Designer Emma Zappone

Hello and welcome to Thursday.
I can't believe it's the end of January already....crazy!
Today's share is a 5x7 canvas board, using a colour palette that excited my play.
This project also features some of my favourite brands and elements.



My base started with some Tim Holtz collage paper, a scripty one to 'frame' where I wanted my composition.
Once that was dry, I added my all time fave product, Rub-ons. This project features Aall&Create & Tim holtz ones.



Then I started my layers, I've had this pic for a long while, and when I purchased 'Elegy in Bones' Snippets and mini curiosities, I just knew I had to play with this image.
The Mini's are tags, which I adore and are the perfect layering option.



You can see how great they look peaking out from around the focal image.
Tucking in with those tags are the Snippets. These are transparencies. So very cool, with lots of detail, and they compliment the 49&Market film strips also.



I loved that I could introduce colour amongst the Snippets and Curiosities, as they are in neutral tones. This allowed for a freedom of colour to reign.



I hope this inspires you to play with products from your stash and create something just for you.

Till next time, EM 😃






 

Tuesday, 27 January 2026

ATC Weeks 1, 2 3 & 4 by Tracey B

 Hi everyone

I normally almost exclusively do 12 x 12" layouts but since we've been doing these ATCs, I've grown to really, really enjoy creating in miniature.

I use playing cards from a casino given to be by a friend.   I don't mind that there is a hole punched in them - I'll either cover it up or incorporate it into the design somehow.

I started by prepping a heap with some gesso - it usually takes a few coats but I'm not that fussed if a little of the card shows through.


Week 1 Fresh Starts 


Products I've used include
Distress Inks (Scattered Straw, Mustard Seed, Spiced Marmalade, Abandoned Coral, Barn Door and Black Soot)
Circle stencil for the sun, baby wipe to clean off the ink then Distress ink (Mustard seed) and Distress crayon (Flickering candle)
Lavinia Mysticals Mist Spray - Bumblebee
Leaf stamp (maybe Lavinia) & Momento ink
Diecut leaves.


Week 2 Silver & Black


Products I've used include

Black card stock
Cadence relief paste (silver) through a stencil
Diecut off cuts
Stamp (maybe Jane Davenport) onto grey tissue paper, stamped twice in Momento ink.   (In hindsight I think I should have used black embossing powder to make it stand out more).
Kuratake water color (white gold - go figure)
Rivers tag with Art Alchemy wax (Soot)
Tattered Angels glimmer mist (Silver)
gel medium & beads, filigree flower and press stud.

Week 3 The New Year



Do you celebrate like me? (ie in bed way before midnight and up early to craft!)

Products I've used inlcude

Random leftover zzzs
Distress spray stain (Stormy sky & Prize Ribbon)
Distress Oxide spray (Wilted Violet)
Distress Mica stain (Winter Frost)
13@rts Ayeeda Mist (Pastel Turquoise)
Versamark
Ranger Embossing Powder (Cotton Candy speckles)

Week 4 Sewing/Stitching
 
So I started this one by sewing some fabric onto my card and then thought I'd do some stitching on the fabric.   Rather than struggling to hand stitch through the card, I just made another.   I'm sure I'll find some use for this one.





Stitching first!

products I've used include

Fabric
Embroidery floss
Heart (homemade by my friend Suzanne and in my stash for years and years - knew it would be perfect for something someday!)
13 @rts Ayeeda Mist (Pastel Mint and Chalk yellow Amber)
Pins

TFL

cheers

Trace



Sunday, 25 January 2026

List of Prompts - Mini Works of Art

 




Thank you for joining our journey through weekly prompts to create your very own mini works of art.

Everything you need to know about this project can be found HERE.


Here is a list of the prompts so far:


JANUARY

Week 1: Words/quote: "Fresh starts"
Week 2: Colour: Silver & black
Week 3: Theme: New Year
Week 4: Technique: Sewing/Stitching

MORE TO COME......

FEBRUARY


MARCH


APRIL


MAY


JUNE


JULY


AUGUST


SEPTEMBER


OCTOBER


NOVEMBER



DECEMBER



Please load your entries into our Monthly Mini Works of Art albums in our Facebook group!




Thank you,
Amanda
On behalf of the SC Curated Collective Team



Saturday, 24 January 2026

“Simple Marvelous” - Curated Collective Designer Lisa Oxley

 


 Quote Focus “It’s often the simple that creates the marvelous” serves as the central affirmation.

   •   The theme is reflective and romantic, celebrating simplicity, beauty, and quiet strength through subtle vintage tones and delicate elements.

Focal Image

   •   A softly illustrated vintage-style girl, hand-painted with delicate shading and muted flesh tones.

   •   Her expression is wistful and observant, gazing outward, drawing the viewer into the page emotionally.

   •   She’s positioned slightly off-center, creating natural visual movement toward the butterflies and quote.

Colour Palette

   •   Dominant hues: Cobalt blue, ink black, creamy ivory, and soft peach tones.

   •   Accent shades include butterfly teal, violet, and sepia—evoking a rich antique and nature-inspired aesthetic.

   •   Pops of shimmer in the butterfly wings and botanical layers offer dimension and contrast.

Elements

   •   Butterflies: Four different butterflies are layered around the girl—symbolizing transformation, fragility, and freedom.

      •   They’re collaged using printed ephemera or fussy cuts, possibly hand-detailed with shimmer accents.

   •   Botanicals: Soft, translucent wildflowers blend behind her shoulder and in the top corners.

   •   Background Texture:

      •   Layers of stenciled or stamped alphanumeric text (Roman numerals, codes) in grunge black.

      •   Faded damask/floral stencil appears in the top right—providing a vintage baroque flair.

      •   Black dot borders, ink smudges, and painterly brush strokes (especially the deep cobalt) layer behind the figure for depth.

   •   Textural Border Strip: A dark ornamental strip runs horizontally across the top third of the page, resembling wrought iron or laser-cut lace—adds visual grounding.

   •   Blended Mediums:

      •   Likely includes gesso, acrylic paint, stamping, stenciling, and collage.

      •   The layering suggests use of gel matte medium or similar adhesive for ephemera elements.

Layout Composition

   •   Visual Triangulation:

      •   Girl’s gaze pulls attention across the page.

      •   Butterflies form a visual triangle, framing the central portrait and enhancing movement.

      •   The quote grounds the eye in the lower third, acting as a visual “anchor.”

   •   Balance: While the right side holds more visual weight with the large portrait and butterflies, the stenciled numerals and florals on the left maintain equilibrium.

Emotional Tone

   •   Gentle, introspective, hopeful.

   •   Suggests a journey of self-acceptance, healing, and recognizing beauty in simplicity.

Thursday, 22 January 2026

'Wings Shaped by Patience' - Curative Collective Designer Emma Zappone


Hello everyone!
It's Thursday which means a new share from me - Em.
Today I have another Art Journal page. In keeping with the yellow tones from last week, I have played with the New Miss Monarch Foundations Pack.
It's just stunning!
I will add the link below.



I just loved that half image and needed to use it first.



I then added paints onto the background to compliment the colour tones of the pack and the elements of the tags.



I also added some new rubons that I received recently from kylie. They are awesome AALL&CREATE A5 sheets, and they were perfect for this project.



Thanks for joining me today.
I will catch you again soon.
Em xx






 

Wednesday, 21 January 2026

You'll turn out ordinary - Georgia Arthur

Back again with another journal page inspired by this month's Moodboard. This page was done in a 6x6 Kraft journal with some layered background paints using a brayer and a gel plate and some stencilling. Stamping and heat embossing the background using orange and yellow embossing powders by Ranger. I printed the Luckyfindings imagery sheet 'that girl street art' on transparency then fussy cut out my image, layered it over the top of the embossed background to give it a cool effect. Finished it off with a sentiment from Dina Wakley quotes. Enjoy this fabulous moodboard that Scrappingclearly has put together for us to be inspired to create.


 

Tuesday, 20 January 2026

My new fave by Tracey B

 Hi everyone

There's still plenty of time to enter this month's challenge.   Here's another LO to inspire you.



I started with a 'waste not' page (from cleaning Distress inks from my stencils) and added some Lunar Paste (Triple berry) using a palette knife.   The stencil lifted - a lot - so I didn't get a crisp image.   I think I was too rushed and definitely too heavy handed so next time I'm going to try using a sponge applicator with the paste.   To grunge up the mess, I added Color Clow (Alexandrite) and spritzed with water.

Other products I've used include

13 @rts patterned paper - Young and Free
49 & Market Alena ephemera bits
Heidi Swapp Carefree stickers
gelli paper
October Afternoon mini market alphas


TFL
cheers
Trace


Sunday, 18 January 2026

Double scrapbook layouts with 49&Market - by Amanda Hartmann

Hi all,

I am a scrapbooker at heart (Even though I venture boldly into any and all paper crafts). When scrapping, I mostly do singles, but recently, I have started some doubles again. I started because of the amazing 49&Market paper packs available NOW at Scrapping Clearly.

Follow this link to search the full range of papers - Kylie has so many in stock.

 https://scrappingclearly.com.au/product-category/12-papers/49-and-market-12-papers/

Small sample of some in store!

These paper packs make it SO easy to put a double together with all the coordinating papers!

Add some rub ons, and ephemera and the page is done!

Today I am sharing 3 double layouts using 49&Market papers.


LAYOUT 1 

Of my stepdads 80th family lunch - lots of photos!

USED INKWELL - the best blues!

https://scrappingclearly.com.au/shop/paper-pads-packs/49-and-market-paper-pads-packs/49-and-market-collection-pack-12x12-inkwell/





Photos picked to match this collection perfectly!






LAYOUT 2

Of Olivia's year 12 formal - again lots of photos needed to make it on the page!

USED TERRACOTTA - complimented her hair and dress so well!

https://scrappingclearly.com.au/shop/12-papers/49-and-market-12-papers/49-and-market-color-swatch-terracotta-12-x-12-collection-pack/



Perfect photos for these papers!




LAYOUT 3

Of Skipper - puppy playing in the mud - had a sequence of photos so great for a double!

USED leftover - INKWELL and TERRACOTTA, plus some brown from WANDERLUST EXPLORER

https://scrappingclearly.com.au/shop/just-landed/april/49-and-market-wanderlust-explorer-12-x-12-collection-pack/








That's all for today!

Happy creating friends!

Amanda