Tuesday, 3 November 2026

In no particular order by Tracey B

Good morning everyone and happy crafting Tuesday

Love the colours in this month's moodboard.   Here's my take




I started with some Lucky Findings Foundations (Reverie)
added some Lunar paste (Refind Copper and Midnight Snack) through a couple of stencils and then added some light and fluffy with another stencil.

   t

I then had a bit of an oopsie with some Color Glow (Smokey Quarts - added way too much and covered up most of my stenciling- and Tanzanite)



When dry I went back in with the Lunar paste and stencil.  Added some more Lucky Findings tags, numbers and butterflies and some moulds made from paper clay and paint with color glow.

Here's a few close ups







TFL
cheers
Tracey





Sunday, 1 November 2026

NOVEMBER inspiration

Welcome to our NOVEMBER 2026 Inspiration!

November is here! Where has the year gone?

Please join in our challenges! We love to see you create!

NOVEMBER CHALLENGES

Our November Moodboard: Copper Moon

This visual mood board - be inspired by these colours, vibes and techniques. "Warm nights & metallic glow"

ALL Papercraft projects are welcomed: Scrapbooking, to art journalling, to tags and cards. We wanna see it all! :)




Colours: Use shades of copper, midnight teal, warm cream, expresso
Vibe: Warm nights, metallic glow
Technique: Metallic accents, embossing, luxe layers


NOVEMBER - Book of Me

Our "Book of me" continues with this month's prompts. Use it to document memories, record reflections, and express yourself creatively. This month we focus on Gratitude & enough: appreciation, presence.





Weekly Inspo Prompts : Mini-works of art

Every Monday, we will release a unique inspo prompt. Create your very own....Mini works of art
You create ATC or Index size cards created for your enjoyment, not to be swapped or traded. By the end of 2026, you will have your own collection of 52 cards that incorporated the weekly colour, quote, theme or technique.

Check out this {link}, to see the current list of weekly inspo prompts.


SUBMISSION PROCESS

Participants must upload their completed projects into the NOVEMBER Albums in the Scrapping Clearly Share and Inspire Facebook Group.






Please load your entries to the albums by the end of the month. Please note: Please edit your photo caption in Facebook to give us information about your project and inspiration.

Prize boxes and gift vouchers will be up for grabs at different times during the year, but mostly we hope you are here for inspiration not the prizes!

And for all your Mixed Media and Paper Craft needs, make sure you head to our website at: https://scrappingclearly.com.au/



Thank you,



Amanda
On behalf of the Scrapping Clearly team

Friday, 30 October 2026

The Background Is More Than Paper - Pj

 

This month's Scrapping Clearly challenge is Gothic Orchard: dark, witchy and deliciously moody, in shades of wine, ink black, rotten apple green and bone. The technique is gothic foundations, and that got me thinking about what a foundation really is. So today I'm sharing my apothecary tag, and the many layers of background underneath it.
Ask most people what the background of a mixed media piece is and they'll point straight at the paper. And yes, the paper is a very important part of it. But for me, the background is so much more than one sheet. It's everything I lay down and then build off. On this little apothecary tag, the background took layer after layer of fun before a single witch got to move in. 
Layer 1: the base
I started with a big laser-cut wooden tag, a lovely sturdy canvas to play on. Then I reached for my LuMania mixed media pad (24x30cm, 140gsm, acid and lignin free). This pad is a dream for backgrounds, with 11 ephemera pages and 39 pattern pages, so there's always something that suits your mood. I picked a gorgeous green page, tore it by hand, scrunched it into a crinkly little ball, smoothed it back out, and glued it down with 13arts Multipurpose Medium. The paper is sturdy enough to handle all that tearing, crumpling and wet glue without falling apart, and every crease becomes a tiny valley that holds colour later. I left a few gaps so the wood peeks through, because those gaps give the next layers something to grab onto, and they stop it looking like a neat sheet stuck on a board. 
Layer 3: stories and ephemera
For a bit of vintage charm I inked a Tim Holtz / Stampers Anonymous background stamp with Ranger Archival Ink in Jet Black. It's permanent and waterproof, so it stays crisp no matter how many wet layers go over it. I stamped onto thin paper, tore it into ragged pieces, and collaged them over the top. Now there are clocks, postal marks, dragonflies and alphabets peeking through, like old layers of a weathered wall that's been papered over a hundred times.
Working the palette
I kept the challenge colours in mind at every layer.
Rotten apple green: the scrunched LuMania page, plus the Pearl Olive Green and Olivin mists
Wine: Chalk Dirty Pink and Prima Antique Brilliance in Fire Ruby, which pooled in the bottles
Ink black: the Ranger Archival Ink stamping, plus the black owl and witches before they got their finishes
Bone: the white resin pieces, and the skulls and bones on the shelves 
Layer 4: the resin foundations
This is the part I'm most excited to share, because it's where my idea of "background" gets a little bigger. I put my cast resin bottles and witches down early, before anything was final, and stuck them down with the same 13arts Multipurpose Medium I used on the paper. Their shapes left marks and edges in the surface, and cardboard strips became the shelves. From there I built everything else around them with Ranger Dina Wakley Media sprays and paint, plus Prima Art Alchemy Antique Brilliance and wax for those warm, glowing, aged-metal finishes. They might look like the stars of the show, but they're really foundation, giving me the landmarks I built the whole piece from.
The glue that holds it all together 


Here's a little secret: this whole tag is held together with one product. The paper, the stamped collage, the resin bottles, the witches and the owl all went down with 13arts Multipurpose Medium. It glues, it seals, and it's the quiet hero of every background I make. I love that I don't have to juggle five different adhesives. One pot does the lot.
The big idea
So here's my golden rule: if I build off it, it's background. Paper, colour, stamping, texture, even the bits that look like decoration. Every layer talks to the one underneath, and the finished tag, with its shelves of potions and a very wise owl, only works because the foundation was doing so much quiet work in the background.
I'd love to see what layers you build into your next background! 














Tuesday, 27 October 2026

Halloween tag book by Tracey B

 Good morning everyone and happy crafting Tuesday

Today I've combined new (to me) products (Distress Mica Stains and Ayeeda mists) with old products (Ideaology paper dolls) to create this tag book.



I started by covering some clothing tags with tissue on one side, added some Light and Fluffy paste through a couple of different stencils along with some Cadence Relief paste (Silver)  and some stamping in black archival ink which doesn't show up much at all.  I added two strips of ribbon to the back of one set of tags making sure to leave enough space between the tags so they will concertina together and then glued the other set of tags on top using Heidi Swapp Magic Medium.   It was a tad messy I must say as I was a bit heavy handed!
 


I then decorated the tags with the paper dolls, washi, some chipboard elements and stickers from my stash some eyelets, ribbon and twine to finish off.

Here's a finished look.





TFL
cheers
Tracey










 

Friday, 23 October 2026

Old Favourites, New Tricks: Fresh Ways to Use the Papers You Already Own

We all have them — those beautiful paper collections we've loved, bought, tucked away and perhaps never quite known what to do with next. Maybe there are a few treasured sheets you've been saving for the perfect project, or a collection with just enough scraps left to make something wonderful.

Well, it's time to give those old favourites a new lease on life!

Sometimes, a fresh creative idea is all it takes to see familiar papers differently. Before you reach for something new, take a little look at what you already have. You might be surprised by the possibilities waiting in your stash.


1. Mix the Old with the New

One of the easiest ways to refresh an older collection is to introduce something new. Try combining a favourite older paper with a design from a recent release. Look for a shared colour, a complementary pattern or an interesting contrast that brings the two together.

For example, choose a colour from an older patterned paper and use it as your starting point for selecting a coordinating sheet from a newer collection. You could use the older paper as your main background and introduce the new design through layered panels, photo mats or small embellishments.

LUCKYfindings collections offer plenty of opportunities to revisit earlier favourites and pair them with newer designs for a fresh look.


2. Look Beyond the Intended Design

A patterned paper doesn't have to be used exactly as it appears on the sheet. Cut out individual flowers, butterflies, architectural details or other interesting motifs and use them as embellishments. A small section of a busy paper might become the perfect accent, while a larger motif could take centre stage on a card or journal page.

Try fussy-cutting a few elements from a patterned sheet and layering them over a contrasting background. You could even use foam tape to raise one or two pieces, creating depth without needing additional embellishments.

Try looking at your papers as collections of useful elements rather than simply backgrounds.

3. Give Your Scraps a Second Chance

Those leftover pieces can be surprisingly versatile. Use narrow strips to create borders, layer different scraps to build a background, or cut smaller pieces into tags, tabs and decorative shapes.

For a journal page, try arranging assorted scraps into a patchwork panel, leaving small gaps between some of the pieces to reveal the background beneath. Alternatively, layer strips of different widths along one edge of a page to create a decorative border.

It's a great way to use pieces that might otherwise sit forgotten in a drawer, and combining scraps from different collections can produce some wonderfully unexpected results.

4. Change the Way You Layer

Sometimes, the paper isn't the problem — it's simply how we're using it. Instead of covering an entire page with a patterned design, try using a smaller section over a quieter background. Tear the edges, overlap different pieces or introduce a little dimension with foam tape.

For example, place a torn strip of patterned paper behind a photo or focal image, then add a smaller contrasting piece across it. Finish with a fussy-cut element or a stamped detail to bring the layers together.

You can also layer cut-out elements over their original design to create depth and interest. A few carefully placed layers can make a familiar paper feel completely different.

5. Take It in a Different Direction

Have you ever looked at a collection and thought it was only suitable for one particular theme? Try challenging that assumption.

A floral paper could work beautifully in a vintage-inspired journal. A geometric design might become the foundation for a modern card. And a Halloween collection can be used for much more than a traditional Halloween layout.

Try selecting papers based on colour, pattern or texture rather than their original theme. A small section of a themed paper might be perfect for a layered background, while a single motif could become an unexpected focal point in an entirely different project.

The same approach works when combining older and newer LUCKYfindings collections. You don't necessarily need matching themes if the colours and patterns work well together.

6. Make Something Small

You don't always need a large layout or an elaborate album to enjoy your favourite papers again. Smaller projects are perfect for using up those precious remaining pieces.

Think journal pages, cards, mini albums, tags, pockets or little interactive elements. A small format can encourage you to use your papers differently, particularly when you're working with limited scraps.

For a six-inch journal, for instance, try creating a small layered pocket from an older patterned paper, then add a coordinating tag cut from another leftover piece. You could introduce a tiny fussy-cut element or a stamped detail to finish it off.

And if you're anything like us, those smaller projects can be just as satisfying as the big ones!

Your October Creative Challenge

This month, we're inviting you to revisit an older paper collection and give it a new trick or two.

Choose a collection you've been holding on to, find a different way to use its papers, or combine it with something you wouldn't normally pair it with. You might create a journal page, a card, a layout or something entirely your own.

The idea isn't to use up every last scrap or create something complicated. It's simply to look at familiar supplies with fresh eyes and see where your creativity takes you.

We'd love to see what you make, so share your creations with us over on the Scrappingclearly Share & Inspire Facebook page.

After all, a favourite paper collection doesn't stop being useful just because it's no longer new. Sometimes, all it needs is a new idea.

Happy creating!

Tuesday, 20 October 2026

Happy Halloween by Tracey B

 Hi everyone and happy crafting Tuesday


I'm not really big into Halloween so zero photos in my stash but friends and family can't escape.   Here's my niece and her grandson. 


products I've used include

TCW white pearl modelling paste and Dark Rood Door stencil
Paper clay and mould.   (My clay had dried out a bit but I gave it a spritz or 2 of water and lots of kneading later, it was ok enough)
Lavinia Mysticals Mist spray (Amble green)
Muslin
Momento Ink - Tuxedo black
Ranger archival ink - red geranium
spider web stamps
Diecut skeletons
skull stamp
chipboard arrows
TFL
cheers
Trace

 


Thursday, 15 October 2026

'Tattered Beauty' by Curated Collective Designer Emma Zappone

Hi everyone,
Today I have played with a few mixed pieces from the LuckyFindings collections, including 'Quiet Devotion', 'Miss Monarch' and 'The Rabbits Watch'.



Lots of layers, starting with rubons onto the background of the canvas.



Then came stamping and plenty of the paper layers.



We all have lots of 'bits' in our stash. And it's always fun choosing pieces that match the main focus of each project. In this case it was a mix of Mintay and 49&Market.



This is the second canvas using these images from the 'Quiet Devotion' Quartlets sheet.
I love they they will become a set.


Thanks so much for joining me today.

Catch you all again soon, Em xx