Friday, 23 October 2026

Old Favourites, New Tricks: Fresh Ways to Use the Papers You Already Own

We all have them — those beautiful paper collections we've loved, bought, tucked away and perhaps never quite known what to do with next. Maybe there are a few treasured sheets you've been saving for the perfect project, or a collection with just enough scraps left to make something wonderful.

Well, it's time to give those old favourites a new lease on life!

Sometimes, a fresh creative idea is all it takes to see familiar papers differently. Before you reach for something new, take a little look at what you already have. You might be surprised by the possibilities waiting in your stash.


1. Mix the Old with the New

One of the easiest ways to refresh an older collection is to introduce something new. Try combining a favourite older paper with a design from a recent release. Look for a shared colour, a complementary pattern or an interesting contrast that brings the two together.

For example, choose a colour from an older patterned paper and use it as your starting point for selecting a coordinating sheet from a newer collection. You could use the older paper as your main background and introduce the new design through layered panels, photo mats or small embellishments.

LUCKYfindings collections offer plenty of opportunities to revisit earlier favourites and pair them with newer designs for a fresh look.


2. Look Beyond the Intended Design

A patterned paper doesn't have to be used exactly as it appears on the sheet. Cut out individual flowers, butterflies, architectural details or other interesting motifs and use them as embellishments. A small section of a busy paper might become the perfect accent, while a larger motif could take centre stage on a card or journal page.

Try fussy-cutting a few elements from a patterned sheet and layering them over a contrasting background. You could even use foam tape to raise one or two pieces, creating depth without needing additional embellishments.

Try looking at your papers as collections of useful elements rather than simply backgrounds.

3. Give Your Scraps a Second Chance

Those leftover pieces can be surprisingly versatile. Use narrow strips to create borders, layer different scraps to build a background, or cut smaller pieces into tags, tabs and decorative shapes.

For a journal page, try arranging assorted scraps into a patchwork panel, leaving small gaps between some of the pieces to reveal the background beneath. Alternatively, layer strips of different widths along one edge of a page to create a decorative border.

It's a great way to use pieces that might otherwise sit forgotten in a drawer, and combining scraps from different collections can produce some wonderfully unexpected results.

4. Change the Way You Layer

Sometimes, the paper isn't the problem — it's simply how we're using it. Instead of covering an entire page with a patterned design, try using a smaller section over a quieter background. Tear the edges, overlap different pieces or introduce a little dimension with foam tape.

For example, place a torn strip of patterned paper behind a photo or focal image, then add a smaller contrasting piece across it. Finish with a fussy-cut element or a stamped detail to bring the layers together.

You can also layer cut-out elements over their original design to create depth and interest. A few carefully placed layers can make a familiar paper feel completely different.

5. Take It in a Different Direction

Have you ever looked at a collection and thought it was only suitable for one particular theme? Try challenging that assumption.

A floral paper could work beautifully in a vintage-inspired journal. A geometric design might become the foundation for a modern card. And a Halloween collection can be used for much more than a traditional Halloween layout.

Try selecting papers based on colour, pattern or texture rather than their original theme. A small section of a themed paper might be perfect for a layered background, while a single motif could become an unexpected focal point in an entirely different project.

The same approach works when combining older and newer LUCKYfindings collections. You don't necessarily need matching themes if the colours and patterns work well together.

6. Make Something Small

You don't always need a large layout or an elaborate album to enjoy your favourite papers again. Smaller projects are perfect for using up those precious remaining pieces.

Think journal pages, cards, mini albums, tags, pockets or little interactive elements. A small format can encourage you to use your papers differently, particularly when you're working with limited scraps.

For a six-inch journal, for instance, try creating a small layered pocket from an older patterned paper, then add a coordinating tag cut from another leftover piece. You could introduce a tiny fussy-cut element or a stamped detail to finish it off.

And if you're anything like us, those smaller projects can be just as satisfying as the big ones!

Your October Creative Challenge

This month, we're inviting you to revisit an older paper collection and give it a new trick or two.

Choose a collection you've been holding on to, find a different way to use its papers, or combine it with something you wouldn't normally pair it with. You might create a journal page, a card, a layout or something entirely your own.

The idea isn't to use up every last scrap or create something complicated. It's simply to look at familiar supplies with fresh eyes and see where your creativity takes you.

We'd love to see what you make, so share your creations with us over on the Scrappingclearly Share & Inspire Facebook page.

After all, a favourite paper collection doesn't stop being useful just because it's no longer new. Sometimes, all it needs is a new idea.

Happy creating!

Tuesday, 20 October 2026

Happy Halloween by Tracey B

 Hi everyone and happy crafting Tuesday


I'm not really big into Halloween so zero photos in my stash but friends and family can't escape.   Here's my niece and her grandson. 


products I've used include

TCW white pearl modelling paste and Dark Rood Door stencil
Paper clay and mould.   (My clay had dried out a bit but I gave it a spritz or 2 of water and lots of kneading later, it was ok enough)
Lavinia Mysticals Mist spray (Amble green)
Muslin
Momento Ink - Tuxedo black
Ranger archival ink - red geranium
spider web stamps
Diecut skeletons
skull stamp
chipboard arrows
TFL
cheers
Trace

 


Thursday, 15 October 2026

'Tattered Beauty' by Curated Collective Designer Emma Zappone

Hi everyone,
Today I have played with a few mixed pieces from the LuckyFindings collections, including 'Quiet Devotion', 'Miss Monarch' and 'The Rabbits Watch'.



Lots of layers, starting with rubons onto the background of the canvas.



Then came stamping and plenty of the paper layers.



We all have lots of 'bits' in our stash. And it's always fun choosing pieces that match the main focus of each project. In this case it was a mix of Mintay and 49&Market.



This is the second canvas using these images from the 'Quiet Devotion' Quartlets sheet.
I love they they will become a set.


Thanks so much for joining me today.

Catch you all again soon, Em xx






 


Sunday, 11 October 2026

Sunday with Lisa: Layers of Colour, Texture & a Story to Tell | Scrappingclearly


Happy Sunday, creative friends! 💙

It’s time for another little peek into the creative world of Lisa Oxley, our talented Curated Collective Team member.

This week, Lisa has created a striking mixed-media art journal page filled with beautiful shades of blue, expressive mark-making, layers of texture and a captivating central portrait.

There is something incredibly atmospheric about this page. The cool blue palette immediately draws you in, while the girl's expressive eyes become the focal point. Look a little closer and you'll discover layers of paint, scribbled marks, patterns, text and tiny details that give the artwork plenty of depth.

Let's take a closer look at how all those elements come together.



Starting with a Sea of Blue

Blue is definitely the star of this page.

Lisa has worked with a gorgeous range of turquoise, aqua, pale blue and deeper navy tones, creating a cool and almost dreamy atmosphere.

The paint has been applied in lots of different ways. Some areas are soft and washed back, while others are bold and heavily layered.

You can see brush marks, patches of colour and areas where darker tones have been added over the lighter layers.

This kind of background is perfect for mixed-media work because you don't have to know exactly where you're going from the beginning.

Start with your colours, move them around the page and see what happens.

Building the Background

Rather than creating one solid painted background, Lisa has allowed lots of different textures and marks to develop.

There are areas of turquoise paint alongside pale blue, white and deeper blue.

Dark brown and black marks provide contrast, while small white dots create another repeating detail around the edges.

There are also sections of horizontal and vertical marks that give the background a slightly graphic quality.

This is where layering becomes so much fun.

You can paint over an area, add another colour, scratch or draw into it, and then add something else on top.

Every layer doesn't have to remain visible.

Sometimes the little glimpses underneath are what make the final background so interesting.

Bringing in the Portrait

Once the background has developed, the beautiful portrait becomes the focal point.

The girl's face immediately captures your attention, particularly those striking golden-brown eyes.

Her dark hair creates a strong contrast against the blues surrounding her, helping to bring her forward from the background.

The portrait also has an intriguing cracked effect across the face, giving the image an aged, textured appearance and adding another layer of visual storytelling.

It's a wonderful contrast to the loose, expressive marks surrounding her.

Letting the Image Become Part of the Artwork

One of the things that works particularly well here is the way the portrait isn't simply sitting on top of the background.

Lisa has continued her mixed-media treatment around and over the image, allowing the colours and marks to become part of the overall composition.

The blue tones appear across the clothing and surrounding areas, helping everything feel connected.

This is a great technique to remember when working with a focal image.

Instead of treating it as a separate piece, think about how you can pull your background colours into and around the image.

Texture, Texture and More Texture

There is so much to discover in this page when you look closely.

Lisa has combined painted areas with what appear to be printed or stamped text, scribbled lines, graphic shapes and repeated dots.

The result is a wonderfully tactile-looking surface.

Some areas are heavily worked, while others are quieter.

That contrast gives the page plenty of visual movement without overwhelming the central portrait.

And that's one of the joys of mixed media—you can combine techniques that might seem completely unrelated and somehow make them work together.

The Power of Black Marks

The darker elements are particularly important in this artwork.

Black and deep brown appear around the edges, through the background and in the loose hand-drawn marks.

There are expressive scribbles, shapes and lines winding through the painted areas.

These marks add energy and movement and provide a strong contrast against all those beautiful blues.

If you're ever working with a predominantly light or pastel colour palette and feel that your page needs a little more definition, try adding some bold darker marks.

They can completely change the feel of the composition.

Adding Words to the Story

Another beautiful detail is the text incorporated into the figure's clothing.

The words become part of the artwork rather than simply sitting separately from it.

Text is such a wonderful addition to art journaling because it can add another layer of meaning without needing to explain the entire story.

You can use:

  • Printed text

  • Book pages

  • Magazine snippets

  • Stamped words

  • Handwriting

  • Quotes

  • Old paper

  • Repeated lettering

Sometimes the words are easy to read.

Other times they become almost another texture.

Both approaches can work beautifully.

Those Little White Dots

Look around the edges of the page and you'll notice the repeated white dots.

They're a small detail, but they add rhythm and help frame the artwork.

Repeating a simple shape throughout a page is an easy way to create cohesion.

You don't need dozens of different embellishments.

Sometimes one repeated mark is all you need.

When the Layers Start Talking to Each Other

What I love about this page is the way the different elements begin to interact.

The blues of the background appear again in the figure.

The dark marks from the edges continue into the background.

The text becomes part of the clothing.

The white dots repeat around the border.

The scribbled lines travel through different sections.

Nothing feels completely isolated.

Instead, the elements visually talk to each other and create one cohesive piece of artwork.

A Little Sunday Creative Inspiration

Lisa's page is a beautiful reminder that mixed-media art journaling is all about the layers.

You don't have to create everything in one sitting.

Start with some paint.

Add another colour.

Make a few marks.

Add texture.

Introduce your focal image.

Then look at the page again and decide what it needs next.

Perhaps it's some darker contrast.

Maybe a little stamping.

Some handwritten marks.

A few dots.

A piece of text.

Or perhaps it doesn't need anything at all!

Knowing when to stop can be just as important as knowing what to add.

Your Turn to Play

If Lisa's page has inspired you this Sunday, why not reach for a limited colour palette and see where it takes you?

Try choosing three or four shades and building your background entirely from those colours.

Add a focal image, then use your chosen colours around it to help bring everything together.

And don't be afraid to make marks over your carefully painted background.

That's part of the fun!

Your page doesn't have to look like Lisa's.

Let her artwork inspire you, then take the idea somewhere completely your own.